The first time I went to a writer's
conference, my head literally swum with all the buzz words being bandied about.
At the time, my first book, Spellbound, was a much-handled manuscript,
and two others were as well. It wasn't even a series book yet, a single
standalone title. (See how much I didn't know back then?).
Anyway, I sat in on different
workshops and found myself writing down all these words and catch phrases to
look up later. Two I heard often, after I'd figured out
"Query", was loglines and taglines. Elevator
pitch came up as well. I nodded sagely every time I heard one, then
rushed to a corner to google the damn thing. Even then, I thought the two
were interchangeable, called something different maybe by different areas, like
an East Coast-West Coast thing. So not the case.
So, in Part Four of this series, I
want to dispel the rumors and misinformation. They are not the same.
I know. I was shocked too. Then, embarrassed when I realized
how many times I had misused the terms. Here are the proper Webster
definitions:
Tagline:
Web definitions
A tagline is a variant of a
branding slogan typically used in marketing materials and advertising.
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Logline:
Web definitions
The story in one active sentence,
focusing on the concept, main character and main conflict. Ideally in 25
words or less..
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My
Take:
Tagline: You know how Amazon used to ask you to
choose specific words to describe your books? Well, your
publisher will still do this. These are the "tags" or
words that will call up your book every time someone puts them in an internet search. Words such as YA, paranormal, witch, first love, and supernatural are
all tag words that describe my first novel, Spellbound. And
here's a HUGE tip: those tag words should appear in the description of
your book in your query.
See how everything is annoyingly related? The good news is if you
master one concept, you can master all.
The tag words integrate into the logline, which becomes part of your query from which
you develop your blurb.
If you are new to the publishing industry, you will hastily learn that
these processes are almost the only way a new novel from a new
novelist, gets published for the first time. If you have been in
the industry for awhile, you now know that these things are a necessary
evil. Either way, you have to get your head around them.
Practice explaining your book to yourself in the mirror. What
words are you punching? What words are you missing?
Oftentimes, a compelling logline will actually appear on the very cover of your
book. That was the case with my latest, The Deadlies. My logline:
At Holly Hills Academy, being rich and pretty
can be deadly.
My publisher printed it right on the cover! Man, I better love it
and be passionate about it. Happily, I am! And the first line
of my query AND blurb just expanded on the idea:
When
Calliope Flood catches the unwanted attention of the prettiest and most
privileged girls at her new school, she learns
they are possessed of more than just good ole’ Southern charm; they are
also possessed by the demons of the Seven Deadly Sins.
From the tagline "rich
and pretty" is echoed in the blurb with "prettiest and most
privileged", and the deadly part is expanded upon with the idea of
being possessed by the seven deadly sins.
So, here are my steadfast rules for Loglines:
- Give the main character an epithet: vengeful
divorcee, struggling aspiring writer, etc.
- Identify your main character's mission and what
he stands to lose if he fails
- Brainstorm words and phrases that conjure up
your personal idea of your book
- Pick 25-30 that sound the most compelling and
right
- NOW, pick 5-8 of those that sound even better
- Fashion a tight, 25-word pitch. THAT is
your logline.
Okay! Now get loggin'!
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